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| Sep-Oct 2013, Vol 44, No 5
When John Sisko’s sculpture of Pope John XXIII was unveiled,
the members of St. James Cathedral, Seattle, Washington,
viewed an image of the pope with outstretched hands that signaled
openness, welcome, and prayer. The shrine honoring
Blessed Pope John XXIII was finished nearly a year ago, just
before the fiftieth anniversary of the opening of the Second
Vatican Council. As with other work the sculptor has done for
the Church, it evolved after conversations about art and the type
of image desired. Sisko sculpts more often for the secular world
than the religious but prefers to do sacred art. “The Catholic
projects,” he said, “tend to be involved and intellectually
challenging.” Sisko has had a broad education.
His bachelor’s degree is in philosophy, and he studied
art with an artist whose degree was in divinity.
Besides creating art, he writes and edits for Sculpture
Review. He said the magazine is planning an issue on
Vatican II and art. More information is available at http://www.siskoworks.com/. |
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| Jul-Aug 2013, Vol 44, No 4
Susanne Vertel tells people that it is never too late to pursue a
dream. After all, it was not until she was married with four
children that she took her first art class at a community center.
Not long after that first class, Susanne's husband died and she
enrolled at the California College of Arts and the Scottsdale
Artists School, where artists shared their techniques. Having
grown up Roman Catholic, the lives of the saints are part o
her spiritual core. Her art passes on images of Mary and the
saints to which many can relate. A sculpture of a barefoot
pregnant Mary carrying grapes portrays a woman who is in
awe with an earthy quality. In a sculpture in which a toddler
Jesus is carried in a sling on his mother's back, Mary as a free
spirit is portrayed in love with her child. More images of
Vertel's work may be seen at http://svertelstudios.com/. |
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| May-Jun 2013, Vol 44, No 3
Having earned a doctorate in anthropology, with a concentration
in Spanish colonial archaeology, Charles M. Carrillo was
part of a team excavating a chapel in New Mexico. During the
excavation of Santa Rosa de Lima chapel, built in 1734, he was
drawn to the images of the santos, or saints. First, he paid
attention to them in an academic sense as he researched
them. But as he was drawn into the culture of his
ancestors, his interest turned to a passion for the
santeros, or “saint makers,” and then to a vocation.
For more than 32 years, he has carved and
painted the images of the saints, rediscovering
the traditional methods as he went along.
The wood is native, usually Ponderosa pine
and the colors of his paints are made from
natural ingredients. He has, he said, revived
an art form that had been lost for a hundred
years. More information is available at www.collectorsguide.com/santos. |
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| Mar-Apr 2013, Vol 44, No 2
Bruce Herman's work includes depictions of Christ carrying the Cross
and suffering on the Cross, as well as the young Virgin Mary and the
contemplative older Mary. "Behold, Your Mother" and "Miriam, Virgin
Mother" are among the titles of his works. His pieces appear at the
Vatican Museum of Religious Art and the San Paolo Monastery, Orvieto,
Italy. Still, he does not think of his work as particularly religious art.
Rather, he considers all art as religious. He says that he cannot separate
the spiritual from a piece of art, just as he cannot compartmentalize
parts of his life. "My art and my faith have been intertwined since I was
six years old," he said. "What prompts me to make art is the desire to
respond faithfully and fittingly to the beauty around me." Beauty,
though, does not equate to what is pretty. "Beauty, goodness, and truth
are expressions of God's being," Herman said. He holds the Lothlórien
Distinguished Chair in Fine Arts at Gordon College, Wenham,
Massachusetts. His work can be seen at http://bruceherman.com/. |
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| Jan-Feb 2013, Vol 44, No 1
As a young child, Lucinda Naylor showed her fascination with
labyrinths by building them with her wooden blocks. As an
adult, Naylor has walked the Camino de Santiago in Spain and
understands the labyrinth as a prayerful walk that mirrors a pilgrimage.
"I think that people have remarkable experiences in
walking a labyrinth," she said, "because the body is engaged."
Naylor first designed a labyrinth professionally in the 1990s
when a church in Michigan commissioned her. Her labyrinths
may be designed for the interior of a church or on the grounds,
as is the labyrinth she designed at the Basilica of St. Mary,
Minneapolis. Usually the labyrinths are permanent, but for a
retreat, she may design a temporary one. At retreats, too, she has
taught participants to make finger labyrinths. Naylor's artistic
range is wide. Her master of fine arts degree is in painting
but she also draws and sculpts. Her work may be seen at www.LucindaNaylor.com. |
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| Nov-Dec 2012, Vol 43, No 6
Iconographer Tatiana Romanova-Grant believes that an image
can change a person's life. "Sometimes it's like a miracle the way
a person experiences an icon," the Moscow-born artist said.
Romanova-Grant, who now lives in San Francisco, seeks to write
icons that will connect even with those who are unfamiliar with
sacred art. When that connection is made, the
icon lives within that person, she explained.
"When people look at the image, they invest
something of themselves. The icon—it starts to
live its own life." Romanova-Grant studied at the
Moscow Institute of Fine and Applied Arts
Stroganovskoe. Her work with icons began with
the restoration of art from the thirteenth to eighteenth
centuries. Examples of her pieces are at
http://spiritualpaintings.com/. |
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| Mar-Apr 2012, Vol 43, No 2
When David Lee Csicsko was asked to make
Stations of the Cross for a church, the depictions
of the people in the stations resembled
the makeup of the Haitian/Hispanic parish.
The Chicago resident said that he likes to be
sure that his work fits in with the community.
He also likes his liturgical art to be a catalyst
for serious thinking. When Csicsko did a series
on the saints, he aimed at exploring
their tougher side. Sometimes, though,
he wants to create a serene environment
as he did with the windows of the
chapel at Children's Hospital in
Chicago. For more information, visit the artist's website,
www.csicsko.com. |
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| Jan-Feb 2012, Vol 43, No 1
Vermont artist Janet McKenzie believes it is her vocation
to to create sacred art that includes people who are
not usually depicted in such art. Her oil paintings on
canvas, then, primarily show people of color and
women. But her art is not meant for any one group. She
is interested in the interior journey of all. "I hope that
the paintings lead people to go within themselves to that
universal place that we all share," she said. Motherhood
is one focus of her work, and many of her pieces are of
Mary and Jesus. Some of these images have appeared
on the cover of America magazine.
Her traveling exhibit
"Holiness and the Feminine
Spirit" will be going around the
United States through 2013. It is
sponsored by the Hagerty
Museum of Art, Marquette
University. The artist's website
is www.JanetMcKenzie.com. |
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| Nov-Dec 2011, Vol 42, No 6
Sculptor Linda Dabeau's cross-cultural heritage influences her work as a liturgical artist. Having been born in Dallas, Texas, and having spent formative years in Latin America, she has been steeped in the economic extravagance of central Texas and the romantic sacred mysteries of pre-Columbian civilizations and traditional Hispanic Catholicism of Central America. The Albuquerque resident customizes sculptures in varied media, working in bronze, stone, fired clay, cast metals, glass, and wood. In working with parishes, she seeks to create works that are both approachable and that connect with community members. She may be reached at ldabeau at swep dot com. |
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| Sep-Oct 2011, Vol 42, No 5
For years Jeremy Rudd, assistant professor of art at Divine Word
College in Dubuque, Iowa, created contemporary wooden
abstract sculptures and designed and built furniture. More
recently, he has been commissioned to do work for churches.
Now he has designed and built a suspended cross for a chapel,
made a corpus of cast metal, carved a
wooden corpus for a processional cross,
and designed and built credence and
other liturgical tables. He is currently
working on 22 16-inch low-relief
plaques for an outdoor sculpture garden.
Although his liturgical pieces veer
away from his abstract style, he incorporates
abstract elements to allow the
viewer to penetrate the surface of the
person portrayed.
"It's all about the
emotive qualities of
the figure," he said. |
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| Jul-Aug 2011, Vol 42, No 4
Pamela T. Hardiman's work designing banners for liturgical
spaces melds her creativity, spirituality, and love
of sewing. Hardiman, who begged her mother to
teach her to use the sewing machine before
the age of ten, first designed liturgical fabric
art nearly 25 years ago to enhance a
vacant wall in her parish. Her fabric art
focuses on three types of pieces—her
Celebrate series of banners that may
be carried in procession or remain
stationary in the worship space; the
Rejoice series, which are painted silk
banners in a sail shape; and quilted
banners. Hardiman is the coauthor
of Raise the Banners High © Liturgy
Training Publications. Her work may
be found at www.pthardiman.com. |
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| May-Jun 2011, Vol 42, No 3
Sheila Mahoney Keefe seeks to portray the beauty and mystery
of God in art, drawing her audience into a contemplative
space. The artist creates her work amid stillness and silence.
The painter and print maker who makes her home in Santa
Fe, New Mexico, carves into wood with a small chisel prior to
painting. Her exhibition "Songs from Silence," mixed media
works on wood, reflects the chanting of the Liturgy of the
Hours. The Song of a Silent One, by Michael Clay, and The
Parable of a Cherry Blossom, by Abbot Mark, are among the
books that she has illustrated. Her work can be found at the El
Potrero Trading Post's Web Site, www.potrerotradingpost.com. |
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| Mar-Apr 2011, Vol 42, No 2
Each day, people touch the hands of the squatting
Saint Francis of Assisi sculpture in the
park at the Bishop Moreno Pastoral Center in
the Diocese of Tucson. Some hold the raised,
imploring fingers as they pray; others more
casually touch the hands. "People feel very
connected to it," said sculptor Michael Myers,
who created the piece. Myers aims for his
bronze sculptures to penetrate the emotions,
showing the humanity of his subjects. Myers, a
University of Arizona graduate with a bachelor
of fine arts degree, has a studio at his home
in Prescott, Arizona. His work can be seen at
MichaelMyersStudios.com. |
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| Sep-Oct 2010, Vol 41, No 5
When Art Siegel builds a manger for a parish, he considers the architecture
of the church building, the figures for the Nativity scene that the
parish uses, input from the parish, and personalizing touches. The
Lockport, Illinois, resident began Artistic Endeavors: Imaginative
Designs and Construction after he was asked to build a Nativity scene for
a parish. He soon found that his art degree from the College of St. Francis
blended well with his construction skills. The Nativity scenes are designed
for easy assembly, dismantling, and storage. For more information, visit
http://artisticendeavors-idc.com. |
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| Jan-Feb 2010, Vol 41, No 4
No matter the site of the liturgical art, sculptor Alexander Tylevich considers
how he can create a space that can connect people to God. Tylevich, who
earned a master of architecture
degree in his native Belarus, brings to his
work a sense of how atmosphere can be created in a space. At the St. Thomas
More Chapel at the University of St. Thomas, Minneapolis, he worked
with an architect and liturgical consultant to form the space to
be quiet and uplifting. For the Tree of Knowledge, a 40-foot
outdoor sculpture at Regis University, he also sought a space of
prayer. And whether the piece is of a saint, such as Thomas
Beckett or Vincent de Paul, or a large sculpture, the
layers of meaning are many. Tylevich's work can be seen
at http://www.hillstream.com/tylevich/AT_works.html. |
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| May-Jun 2010, Vol 41, No 3
Liturgical design consultants Rev. Thomas Paul and Rev. Richard
Lundgren approach their projects with prayer in mind. The partners in
the House of the Church Consultants have been called on when
churches are being built or renovated as well as for prayer spaces in
hospitals, convents, and gardens. They were the consultants for the
prayer and worship spaces at the retirement community The Clare at
Water Tower in Chicago, Illinois. "We believe in the importance of
beautiful and well-designed
spaces that support the prayer of
the Church and personal prayer,"
said Paul. They work with the
community that the prayer space
will serve and also with the artists
and architects. For more
information, visit www.HouseOfTheChurch.com. |
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| Mar-Apr 2010, Vol 41, No 2
For as long as Chris Botti can remember, liturgical art has been part of the
fabric of his life. The owner of Botti Studio of Architectural Arts, Inc., grew
up with the centuries-old family
business discussed at the dinner
table. The family dates their business
to the sixteenth century in Agropoli,
Italy, where a branch is still located.
Botti Studio designs stained-glass
pieces, statuary, murals, woodwork,
and pieces in bronze, marble, brass,
and steel. It also reworks pieces for
another part of the worship space,
such as transforming a communion
rail into a railing surrounding a baptistry.
For more information, go to
www.BottiStudio.com. |
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| Jan-Feb 2010, Vol 41, No 1
When Father John Giuliani returned to artwork nearly two
decades ago, he painted images of Mary, Christ, and the saints
with Native American facial characteristics and dress. "Native
Americans rejoiced in seeing their own image depicted in the
Virgin Mary or Christ," Giuliani said. He added, "They were
grateful to see their Native American culture depicted as
Christian in Catholic churches." Giuliani, who attended Pratt
Institute in New York before entering the seminary, modeled
the images on Native Americans as a reparation for the way they have been
treated. For more information,
visit http://www.hillstream.com/JG_bio.html. |
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| Nov-Dec 2009, Vol 40, No 6
Not long before Pope John Paul II came to Chicago
in 1979, Jerzy Kenar met the pastor of Five Holy
Martyrs Parish. With the Pope scheduled to celebrate
Mass there, furnishings
were needed for the outdoor
liturgy. Kenar agreed to make
the altar, cross, chair, and
ambo—his first commission
for a parish. Those pieces
were of wood, but he also
works in granite, stone, and
bronze. The Polish-born artist
has lived in Chicago since
1979. He views his art as helping
people go deep within
themselves to experience
their faith. For more information
on Kenar, visit www.JerzyKenar.com. |
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| Sep-Oct 2009, Vol 40, No 5
As a student in Italy, Anthony Visco toured
churches and shrines, surrounding
himself with the masterpieces of
Catholic art. Just as artists centuries
ago sought to catechize through their
work, so does Visco. He considers
himself a vocational artist, trying to
teach and evangelize through art.
He hopes that his pieces become an
extension of the mission of the
parish. "We can use art and
architecture to express redemption
and salvation," said Visco,
the founder of The Atelier for
the Sacred Arts in Philadelphia.
His paintings, bronze reliefs,
and sculptures can be seen at
www.AnthonyVisco.org. |
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| Jul-Aug 2009, Vol 40, No 4
Elizabeth Devereaux brings an education in church art to her parish architectural glass projects. The founder of Devereaux Architectural Glass in Chico, California, she studied Christian iconography and religion and art in the United States at Pacific School of Religion in Berkeley, California. Since the founding of her company in 1969, she has done commissions for churches across the country. She aims for the designs to respond to the architecture, light, environment, and the client's desires. For more information, visit
www.devglas.com/. |
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| May-Jun 2009, Vol 40, No 3
The first piece that David Seagraves was commissioned to sculpt
was of the Blessed Virgin Mary and her mother, Saint Anne.
That drew the Saint Elizabeth, Illinois, resident to focus on figures.
He aims for the images he sculpts in wood, bronze,
and stone to show the nobility that God has bestowed
on humankind. He draws on that nobility of spirit to
show the connection between the divine and the
human. A sculpture of the Annunciation,
then, depicts Mary as awestruck. Another
shows pain in Mary's face as she looks
down on a city, acknowledging the sorrows
of the world. For more information, visit
www.DavidSeagraves.com/. |
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| Mar-Apr 2009, Vol 40, No 2
The boyishness of a young Jesus, the innocence of
Maria Goretti, and the concern of Mary Magdalene
all are seen in the depictions of those people
of faith that Jeff and Anna Koh-Varilla have
sculpted. Until St. Raphael Parish commissioned
a processional cross, the Chicago couple
admired Renaissance church artists but
felt unworthy to work in religious art. More
than 13 years later, their realistic sculptures
of religious figures are at the Cathedral of
St. John the Evangelist in Milwaukee and
many other parishes. Their work can be
viewed at www.KohVarillaGuild.com. |
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| Jan-Feb 2009, Vol 40, No 1
Liturgical furnishings designer
Stephen A. Remmert seeks to represent
the story of a parish in its liturgical
furnishings. Remmert listens
intently as a community explains its
heritage and the pieces they seek.
"They should feel like they've
designed the furnishings," he said.
Remmert, who has a master's degree
in religious studies from Boston
College, began designing and crafting
furniture full-time in 2000. The
work melds his love of wood and liturgy.
His pieces can be viewed at
www.RemmertStudios.com. |
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| Nov-Dec 2008, Vol 39, No 6
Carpenter and deacon David Cahoon considers having crafted the furniture for the papal Mass in Nationals Stadium "an honor and a blessing." Cahoon's St. Joseph Carpentry Shop made the altar, papal chair, ambo, and lecterns for the Mass in April. Cahoon's business had included work in the secular sphere, however, prior to his 1991 ordination, he merged his profession with his vocation and concentrated his carpenter's skills on work for churches. The business does all types of woodwork restoration and renovation as well as crafting furniture. With a sawmill as part of the shop, wood is taken from the raw form to the finished product. |
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| Sep-Oct 2008, Vol 39, No 5
With a decision to design liturgical art and furnishings, George Hoelzeman combined
his passions of woodworking, theology, and art. Hoelzeman, a former Benedictine
candidate for the priesthood at St. Joseph Seminary College, St. Benedict,
Louisiana, has bachelor's degrees in religion and history and a master's
degree in medieval art history. His
family roots in carpentry go back generations.
Working with parishes, he
incorporates liturgical catechesis and formation.
Hoelzeman's work can be seen at
www.grhstudios.com. |
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| Mar-Apr 2008, Vol 39, No 2
Through Inspired Artisans, Ltd., work as varied as bronze sculptures, carvings in mahogany, metalwork, and mosaics, are designed, made, and installed at parishes, cemeteries, and monasteries. For a monastery of the Poor Clares, the artists designed stained glass windows, an altar, ambo, sculptures, and a large screen divider. At a parish, the creative group designed the altar, painted images of saints, and collaborated with others in the design of the baptismal font. Peruvian-born Gianfranco Tassara founded the Milwaukee-based company in 1997. Work from Inspired Artisans, Ltd., can be found at www.inspiredart.com. |
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| Mar-Apr 2008, Vol 39, No 2
In sculptures and woodcuts, Margaret Adams Parker seeks to convey the power of a story. She wants her audience to explore not only the biblical narrative the piece represents but the humanity of the individual portrayed. In her sculpture of Mary, she shows youth and vulnerability. Her woodcuts of the book of Ruth portray how God acts through ordinary people. Through the woodcuts of the Stations of the Cross, she depicts the spiritual and physical struggle of Christ as he carried the cross. The artist teaches theological aesthetics at Virginia Theological Seminary. For more information on her work, visit www.MargaretAdamsParker.com. |
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| Jan-Feb 2008, Vol 39, No 1
When Jay Hall Carpenter sculpts a historical figure, he tries to capture a moment. The figure of Saint Thomas More at St. Anne Parish in Barrington, IL, depicts More's decision to defy the king. In sculpting the dozen saints and Old Testament personages for the parish, Carpenter researched individuals, costumes, and time periods. Details of Saint Joan of Arc's armor were taken from historical armor from that time. For Mother Francis Cabrini's habit, he viewed the one displayed at St. Cabrini High School in New York City. For more information on the sculptor, visit JayHallCarpenter.com. |
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| Sep-Oct 2007, Vol 38, No 5
To capture Mother Theodore Guerin's personality in a sculpture, Teresa Clark read the journals of the foundress of the Sisters of Providence of St. Mary of-the-Woods and talked to members of the order. From the six-foot clay model that Teresa scultped, Nick Fairplay, Oberlin, Ohio, carved a limestone sculpture for Mary's Garden near the Basilica of the National Shrine of the Immaculate Conception, Washington, D.C. Dedication of the sculpture is planned for the fall. The artist's work can be seen at www.ClarkDesignLTD.com. |
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| Jul-Aug 2007, Vol 38, No 4
The values of the monastic life—integrity, simplicity, and reverence for nature—are reflected in the caskets and urns the Trappist monks at New Melleray Abbey craft. The monks at the abbey in Peosta, Iowa, make the oak and walnut caskets principally from the trees they chop down from their sustainable forest (125 trees are planted for each tree removed from the forest). The caskets and urns are shipped around the country, often with next-day delivery. For more information, call 888-433-6934 or visit
http://www.TrappistCaskets.com/whoweare.htm. |
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| Mar-Apr 2007, Vol 38, No 2
In designing vesture and accents for the altar and sanctuary, Madeleine van den Hurk-Paul, seeks to inspire assemblies with beauty. Considering herself a consultant, the Kitchener, Ontario, Canada, resident works with parishes to design pieces that will be personal to the worship space. “You should never do the piece again,” she said. Her customers are in both Canada and the United States. She designed 50 sets of vestments, each unique in appearance, for the principal concelebrants at the Archdiocese of Chicago Jubilee celebration in 2000. More information is available at her Web site, www.circlingspirit.com. |
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| Jan-Feb 2007, Vol 38, No 1
Joseph Malham teaches icon writing at St. Gregory the Great Church, Chicago, Illinois, where he is one of three artists-in-residence. The iconographer studied art in Rome and iconography under Meltem Aktas. Churches commission Joseph to write icons for liturgies, shrines, and private devotions as well as on processional banners. He believes that icons speak a universal language that all can appreciate. Joseph uses egg tempera, bass panels, and 24K gold leaf in the icons. His icons may be viewed at www.stgregory.net. |
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| Nov-Dec 2006, Vol 37, No 6
Timothy P. Schmalz, from Kitchener, Ontario, created bronze sculptures for St. John's Church in Streamwood, Illinois. Inside the church are a life-size Holy Family, a bas relief of Christ with children, and the Stations of the Cross. Outside the church are a Crucifixion scene and a sculpture of Saint John the Evangelist on his symbol, the eagle. Planned for the site are 21 bas reliefs, each representing a chapter of the Gospel of John. Among the depictions here are the images of the Woman at the Well, the Man Born Blind, and the Raising of Lazarus. The Web site for St. John's is http://www.mystjohns.com/. Timothy's Web site is http://www.sculpturebytps.com/. |
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| Sep-Oct 2006, Vol 37, No 5
Filex Msalu, Arusha, Tanzania, knew at an early age that he wanted to be part of the art world. Together with artist Paulo Saleko, and at the suggestion of a missionary pastor, he designs a variety of Christian subject matter for the liturgical year. At Sunset Art Studio, the 33-year-old creates batiks with Christian themes. He has exhibited in Tanzania, Italy, and in the United States, and his batiks are found worldwide. Commissions can be requested via Sham Joachim at sjolengot@yahoo.com. |
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| Jul-Aug 2006, Vol 37, No 4
Maria Laughlin is a Seattle-based artist and photographer. She works primarily in scratchboard, a medium in which the artist uses a stylus to remove layers of ink from a claycoated board. The result is reminiscent of traditional woodcuts or steel engravings. Maria has done work for St. James Cathedral in Seattle and Catholic Community Services of Western Washington. The faces of the saints in her work suggest stillness and prayer. For more information, e-mail mlaughlin@stjames-cathedral.org. |
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| May-Jun 2006, Vol 37, No 3
EverGreene's artists, artisans, and craftsmen are accomplished in all aspects of art applied to architecture, including murals, decorative painting, and more. Over the last quarter-century, Jeff Greene, founder of EverGreene Painting Studios, has nurtured artists, conservators, and craftspeople from all over the world who share his innovative spirit and passion for excellence. Their diverse talents come together in the studio and in the field to continue the evolution of traditional craftsmanship and design. EverGreene offers comprehensive services: conservation of original materials, restoration or replication of damaged or lost artwork and ornament, and creation of new architectural ornament in harmony with its setting. Find out more at www.evergreene.com. |
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| Mar-Apr 2006, Vol 37, No 2
Alison Aragon, a New Mexico native, currently lives in Albuquerque, where she creates life-size, full-figure bronzes and bronze miniatures for churches. Her work has evolved from commissioned portrait busts in clay or bronze and life-size portrait drawings in full color or duotone to larger works for churches. She loves to explore the rich subjects of the saints and people significant to Christian faith. Her strength lies in her ability to show human expression and the elegance of the human form as she brings a contemporary interpretation to Christian themes. Contact her at JudithAAragon@aol.com. |
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